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Edgar Wallace pictured on a 1929 cover of Time
 
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There are 13 critical essays on Edgar Wallace.

Critical Essays on Edgar Wallace
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Critical Essay by Louis J. McQuilland
2,715 words, approx. 9 pages
In the following essay, McQuilland discusses Wallace's writing process and gives an overall assessment of his books.
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Critical Essay by Colin Watson
2,633 words, approx. 9 pages
Watson was an English journalist and novelist who was known for his detective novels. In the following essay, he speculates that the wide popularity of Wallace's novels was due to predictable plots and characters, as well as the author's refusal to question middle-class tastes and morality.
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Critical Essay by Desmond MacCarthy
2,006 words, approx. 7 pages
MacCarthy was one of the foremost English literary and drama critics of the twentieth century. He served for many years on the staff of the New Statesman and edited Life and Letters. A member of the Bloomsbury group, which also included Leonard and Virginia Woolf, John Maynard Keynes, E. M. Forster, and Lytton Strachey among its number, MacCarthy was guided by their primary tenet that "one' sprime objects in life were love, the creation and enjoyment of aesthetic experience, and the pursuit o...
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Critical Essay by H. Douglas Thomson
1,685 words, approx. 6 pages
In the following excerpt, Thomson analyzes the themes and patterns that recur in Wallace's novels.
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Critical Essay by Armin Arnold
1,502 words, approx. 5 pages
In the following essay, Arnold compares the plot elements of Wallace's The Four Just Men to those in a novel by German writer Friedrich Dürrenmatt.
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Critical Essay by E. C. Bentley
1,340 words, approx. 5 pages
Bentley was an English-born journalist and author best known for his detective novel Trent's Last Case (1913). In the following essay, Bentley praises Wallace's storytelling techniques, rendering of dialect, and knowledge of the British working classes
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Critical Essay by The New York Times Book Review
1,073 words, approx. 4 pages
In the following review, the critic finds Wallace's The Hairy Arm to be an entertaining suspense novel.
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Critical Essay by The New York Times Book Review
669 words, approx. 2 pages
In the following review, the critic notes Wallace's skill as a craftsman of the suspense novel.
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Critical Essay by George Jean Nathan
617 words, approx. 2 pages
Nathan has been called the most learned and influential drama critic the United States has yet produced. During the early decades of the twentieth century, he was greatly responsible for shifting the emphasis of the American theatre from light entertainment to serious drama and for introducing audiences and producers to the work of Eugene O'Neill, Henrik Ibsen, and Bernard Shaw, among others. Nathan was a contributing editor to H. L. Mencken's magazine the American Mercury and coeditor of the...
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Critical Essay by The New York Times Book Review
583 words, approx. 2 pages
In the following review, the critic notes Wallace's flair for plotting, suspense, and humor in The Clue of the New Pin.
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Critical Essay by Francis D. Grierson
574 words, approx. 2 pages
Grierson was an English-born author best known for his crime novels and nonfiction works on crime detection. In the following excerpt, he praises Wallace as a pioneer of the thriller genre and highlights the novelist's accurate depiction of the London underworld.
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Critical Essay by The New York Times Book Review
517 words, approx. 2 pages
In the following review, the critic praises Wallace's inventiveness in portraying a female villain in The Angel of Terror.
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Critical Essay by The New York Times Book Review
355 words, approx. 1 pages
In the following essay, the critic gives a favorable review of Wallace's The Girl from Scotland Yard, but faults Wallace for using "questionable" plot devices.


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