In the following essay, Denning argues that dime novels constituted the primary reading material of the working class and that the books were specifically created by the middle class for workers.

In the essay below, Bold examines the role of dime novels, pulp fiction, and the commodification of literature in transforming views about the West.

In the essay below, Pfitzer argues that Twain transformed the formulaic components of dime novels into a masterpiece of literature.

In the essay below, Erickson argues that the transformation of the distribution and packaging of dime novels—rather than fundamental changes in the content of the stories—led to their decline.

In the essay below, Jones explores the development of the outlaw hero in dime novels, arguing that the character emerged from the cultural context of the times.

In the following essay, French traces the role of the cowboy character in the dime novel, revealing the character's emerging importance in the works of four novelists.

In the essay below, Admari provides an overview of publisher, writer, and editor Maturin Murray Ballou's career and his contribution to American literature and periodicals in the nineteenth century.

In the following essay, Harvey recounts the development of the dime novel in America.

In the following essay, Jones considers the relationship between sex and violence in dime novels, concluding that the genre promoted traditional American values even as it “provid[ed mass purgation through vicarious participation in fictional violence.”]