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There are 4 critical essays on David Henry Hwang.
Critical Essays on David Henry Hwang

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Interview by David Henry Hwang and Bonnie Lyons
6,001 words, approx. 20 pages
 In the following interview, which took place on September 7, 1996, Hwang muses on his early rise to fame, details the elements of playwriting that he focuses on, provides his view on Asian Americans in the arts, and discusses how he has matured personally and artistically since the beginning of his career.
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Critical Essay by Vera Jiji
4,957 words, approx. 17 pages
 In the following essay, Jiji studies the depiction of sexual roles, misogyny, and the interplay of dominance and submission in many relationships presented in Hwang's plays. Jiji argues that although Hwang attempts to reverse power roles, he still occasionally perpetuates gender myths.
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Critical Essay by Jerry R. Dickey
3,174 words, approx. 11 pages
 In the following essay, Dickey explores the role of Asian men in The Dance and the Railroad and examines Asian female roles and the stereotype of Oriental submissiveness in M. Butterfly.
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Critical Essay by Maxine Hong Kingston
802 words, approx. 3 pages
 In the following essay, Kingston applauds Hwang's ability to capture Asian-American language and memories in his plays and finds that his works give Asian Americans a sense of nostalgia and a feeling of belonging.



There are 22 critical essays on literary works by David Henry Hwang. M. Butterfly

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