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Cover of a 1972 French-language edition of Cyrano de Bergerac
 

There are 4 critical essays on Cyrano de Bergerac (play).

Critical Essays on Cyrano de Bergerac (play)
from source:
Critical Essay by Alba della Fazia Amoia
12,562 words, approx. 42 pages
Amoia regards Cyrano de Bergerac and The Eaglet as Rostand's finest works.
from source:
Critical Essay by Edward Freeman
11,090 words, approx. 37 pages
In the following essay, Freeman considers Cyrano de Bergerac "the perfect vehicle for one of the most comprehensive, polyvalent pieces of myth-making in nineteenth-century French literature."
from source:
Critical Essay by Patricia Elliott Williams
4,252 words, approx. 14 pages
In the essay below, Williams interprets Cyrano de Bergerac in terms of the Aristotelian definition of tragedy.
from source:
Critical Essay by Louis Untermeyer
3,077 words, approx. 10 pages
In the following essay, Untermeyer discusses the genesis, development, and reception of Cyrano de Bergerac


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