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There are 7 critical essays on Claribel Alegría.
Critical Essays on Claribel Alegría

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Critical Essay by Marcia P. McGowan
5,955 words, approx. 20 pages
 In the following essay, McGowan examines the visionary nature of Luisa in Realityland and praises Alegría's ability to find new ways of expressing ideas and experiences.
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Critical Essay by Jo Anne Engelbert
5,289 words, approx. 18 pages
 In the following essay, Engelbert asserts that Alegría utilizes the conventions of Hispanic funereal poetry to lament the death and suffering in El Salvador.
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Critical Essay by Sandra M. Boschetto-Sandoval
3,984 words, approx. 13 pages
 In the following essay, Boschetto-Sandoval relates Luisa in Realityland to women 's testimonials and contends that Alegría constructs literary relationships with her readers in order to foster cultural and political change.
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Critical Essay by Joanne Saltz
3,118 words, approx. 10 pages
 In the following excerpt, Saltz maintains that Luisa in Realityland qualifies as a "poststructural text," connects it to the tradition of insurgent political literature in Latin America, and explores poetic aspects of the work.
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Critical Essay by Carolyne Wright
2,768 words, approx. 9 pages
 In the following review, Wright praises Alegría's poetic accomplishments as well as her commitment to political and social justice.
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Critical Essay by Judith Vollmer
978 words, approx. 3 pages
 In the following favorable review of Women of the River, Vollmer lauds Alegría 's ability to appeal to a wide audience while preserving an "uncanny intimacy " with readers.

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