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Charles Lamb
 
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There are 13 critical essays on Charles Lamb.

Critical Essays on Charles Lamb
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Critical Essay by Joseph E. Riehl
10,544 words, approx. 35 pages
In the following excerpt, Riehl discusses late eighteenth- and early nineteenth-century critical reaction to Lamb's works.
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Critical Essay by David Chandler
8,485 words, approx. 28 pages
In the following essay, Chandler explicates Lamb's largely neglected poetic response to atheism entitled “Living without God in the World.”
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Critical Essay by Janet Ruth Heller
7,587 words, approx. 25 pages
In the following excerpt, Heller assesses Lamb's “On the Tragedies of Shakespeare” and other critical essays that concentrate on the act of reading as a creative process.
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Critical Essay by Mark Schoenfield
6,965 words, approx. 23 pages
In the following essay, Schoenfield analyzes Lamb's essay “The Old and the New Schoolmaster” in the contexts of periodical publication in the early nineteenth century and of William Hazlitt's adjoining article, “Old Antiquity.”
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Lecture by Jane Aaron
6,480 words, approx. 22 pages
In the following essay, originally delivered as a lecture, Aaron summarizes the vicissitudes of Lamb's literary reputation since his death.
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Critical Essay by Sandra Clark
5,361 words, approx. 18 pages
In the following essay, Clark comments on Lamb's highly personal and eccentric, but perceptive, style in his Specimens of English Dramatic Poets, Who Lived about the Time of Shakespeare.
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Critical Essay by Joseph Nicholes
5,264 words, approx. 18 pages
In the following essay, Nicholes describes Lamb's historical drama, John Woodvil, as an analogical commentary on the political situation contemporary to Lamb.
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Critical Essay by D. G. Wilson
4,399 words, approx. 15 pages
In the following essay, Wilson documents Lamb's literary responses to nature and the natural world.
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Critical Essay by Gerald Monsman
4,015 words, approx. 13 pages
In the following essay, Monsman explores the relationship between Lamb's occupation as an accounting clerk for the East India Company and his work as a creative writer.
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Critical Essay by Bonnie Woodbery
4,012 words, approx. 13 pages
In the following essay, Woodbery places Lamb's “Confessions of a Drunkard” in its appropriate contexts of time and publication to view the essay as “a satiric portrait of a drunkard that parodies both Utilitarian ideals and evangelical tracts of conversion,” revealing Lamb's ambivalent feelings concerning alcohol.
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Critical Essay by B. J. Sokol
3,305 words, approx. 11 pages
In the following essay, Sokol examines Samuel Taylor Coleridge's revisions to a Lamb sonnet and notes Lamb's subsequent abandonment of verse composition.
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Critical Essay by Bonnie Woodbery
2,893 words, approx. 10 pages
In the following essay, Woodbery considers Lamb's “Edax on Appetite” and “Hospita on the Immoderate Indulgence of the Pleasures of the Palate” as satirical attacks on the economic theories of Thomas Malthus, Jeremy Bentham, and others.
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Critical Essay by William Ruddick
2,530 words, approx. 8 pages
In the following essay, Ruddick summarizes trends in Lamb scholarship since the 1960s.


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