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Barry Hannah Summary
 
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There are 33 critical essays on Barry Hannah.

Critical Essays on Barry Hannah
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Interview by Barry Hannah with R. Vanarsdall
10,442 words, approx. 35 pages
In the following interview, which was conducted on April 27, 1982, Hannah discusses his literary influences, his characters, and aspects of his personal life.
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Critical Essay by Mark J. Charney
9,792 words, approx. 33 pages
In the following essay, Charney classifies the stories in Barry Hannah's Airships as works about the literal and figurative battlefields of the Civil and Vietnam wars.
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Critical Essay by Mark J. Charney
6,529 words, approx. 22 pages
In the following excerpt, Charney analyzes Geronimo Rex and Nightwatchmen, focusing on structure, character, and such themes as violence and identity.
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Critical Essay by Ruth D. Weston
6,295 words, approx. 21 pages
In the following essay, Weston focuses on issues of identity and self-worth in Hannah's male protagonists.
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Critical Essay by Ruth D. Weston
4,851 words, approx. 16 pages
In the following essay, Weston suggests that Barry Hannah's Vietnam stories attempt to make sense out of the violence of the Vietnam era, and views his stories within the context of Southern history and literature.
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Critical Essay by Ruth D. Weston
4,668 words, approx. 16 pages
In the following essay, which was first presented in an abbreviated form at the South Central Modern Language Association conference in October 1994, Weston examines themes of war, heroism, honor, and shame in Hannah's short stories about the American Civil War and the Vietnam War.
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Critical Essay by Kenneth Seib
4,540 words, approx. 15 pages
In the excerpt below, Seib focuses on several of the stories in Airships and analyzes Hannah's mythic treatment of J. E. B. Stuart, a prominent general in the Confederate army during the American Civil War.
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Critical Essay by Owen W. Gilman, Jr.
2,771 words, approx. 9 pages
In the following excerpt, Gilman underscores the significant role of violence in Barry Hannah's fiction and surveys his Vietnam War short stories from a Southern perspective.
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Marianne Wiggins
2,018 words, approx. 7 pages
In the following review of Bats out of Hell, Wiggins comments on the major themes of Hannah's fiction and his insights into the male psyche.
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Critical Essay by Allen G. Shepherd, III
1,555 words, approx. 5 pages
In the following essay, Shepherd argues that Captain Maximus is a disappointing work that lacks the focus and freshness of Airships, Hannah's first collection.
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Critical Review by Thomas R. Edwards
1,079 words, approx. 4 pages
Edwards is an American educator and critic. In the following review, he asserts that Hey Jack! pales in comparison to Hannah's earlier works.
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Critical Review by Richard Eder
924 words, approx. 3 pages
An American critic and journalist, Eder received a Pulitzer Prize for criticism in 1987. In the following review, he remarks favorably on Hey Jack!
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Critical Essay by Benjamin Demott
913 words, approx. 3 pages
[While] "Ray" is the funniest, weirdest, soul-happiest work of fiction by a genuinely young American author that I've read in a long while, ordinary reviewerese is no help in explaining why. You need a fresh lingo to do justice to this much magic, mystery and hilarity. You need new strategies, new arguments, new adjectives, new everything…. Plot-wise "Ray" is not one of your page-turners. But in its course at least one accident occurs—Ray steals a Learjet dow...
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Critical Review by Pagan Kennedy
907 words, approx. 3 pages
In the following review, Kennedy praises Hannah's style in Boomerang but finds it difficult to empathize with the author's persona.
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Critical Essay by John Updike
805 words, approx. 3 pages
["Geronimo Rex"] belongs to an older tradition—the whining-adolescent novel of the fifties. The action begins in 1950, when the hero, Harry Monroe, is eight years old, and ends in the middle sixties, when he is married and a graduate student of English at the University of Arkansas. America broke in two in those years, when Johnson committed the half-million troops Barry Hannah 1942– Photograph by Ralph F. Bogardus
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Critical Essay by Michael Malone
671 words, approx. 2 pages
In an ultimate, though not obvious way, Hannah's stories [in Airships] are fused together thematically; the tactic is reminiscent of Faulkner's Go Down Moses. Individually, they are beautifully built, but the construction work is so organic that he didn't have to leave the braces showing…. More writers have been smuggled out of the South than cartons of cigarettes, and Barry Hannah is one of the best…. His feel for [the short story] form is amazingly sound—perhaps m...
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Critical Review by Joseph Coates
645 words, approx. 2 pages
In the review below, Coates remarks on Never Die.
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Critical Essay by Eliot Fremont-smith
619 words, approx. 2 pages
Barry Hannah's Ray … is a song. Sharp and snappy snatches for the most part, above the electrics, cool and hot, of being alive…. It's announced to be a novel, and there is a thread of a story to cling to as necessary, though the southern milieu—slice-of-Americana-now—is just as handy. Mostly it's the recollections and musings—sorrows and ecstacies, dreams and encounters—of a bright, horny, 33-year-old Alabama doctor whose first two names are Ray...
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Critical Review by Joanne Kennedy
497 words, approx. 2 pages
In the following review, Kennedy remarks favorably on Boomerang.
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Critical Review by Will Blythe
467 words, approx. 2 pages
In the following excerpt from a review of Bats out of Hell, Blythe remarks on Hannah's characters and admiration for Jimi Hendrix.
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Critical Essay by Geoffrey Wolff
417 words, approx. 1 pages
The sometimes third-person hero who gives the title to [Ray], usually told by him in first person, is an alcoholic medical doctor and veteran jet fighter pilot alive and troublemaking right now. He flew from a carrier over Vietnam from 1967 to 1969, and now he has children, his second marriage has gone to hell, he teaches American civilization at the local college, has enjoyed love and lust with Sister Hooch, who has been shot dead by a religious fanatic. Ray steals a Learjet and it crashes, and he survives...
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Critical Essay by Jonathan Yardley
387 words, approx. 1 pages
[Barry Hannah's] first novel, "Geronimo Rex," was published last year to general, if tempered, praise; it is a crazy and messy piece of work which unravels in the end, but it has admirable energy, exuberant humor and a genuine feel for what it is like to grow up in the contemporary South. But "Nightwatchmen" is another matter altogether; it is simply a mess. What we have here is dimestore philosophizing, uncertain satire and rambling story-telling. "Nightwatchmen&#x...
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Critical Essay by John Skow
378 words, approx. 1 pages
Of all the rich array of error in a book reviewer's repertoire of philistinism, the worst may be that of falling in love with an author's first novel, and then despising his second because it is not an exact copy of the first. Well, let error rain down. I thought, and so reported, that Barry Hannah's first novel Geronimo Rex was rousing work; mainly because of the author's joyous gift for throwing language around. And I think that Hannah's second novel, Nightwatchmen, is a...
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Critical Essay by Christopher Lehmann-haupt
378 words, approx. 1 pages
In "Ray," Barry Hannah's startling new novel, set in the American South, we have come a long way from the hanging moss and stately columns of the antebellum era. In "Ray," we have come by way of Faulkner, Flannery O'Connor, Tennessee Williams, Walker Percy, and Harry Crews, to an image of the South that perhaps is best captured by Mr. Hannah's description of the Hooches' home in Tuscaloosa, Ala. "The others of the street are not of their homes a...
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Critical Review by Alex Raksin
367 words, approx. 1 pages
In the following review, Raksin distinguishes the representation of violence in Hannah's works from that of such authors as Bret Easton Ellis.
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Critical Essay by Richard Locke
361 words, approx. 1 pages
In recent weeks—somewhat to our suprise—we have run three front-page reviews of fiction by young American writers. Mary Gordon's "Final Payments" is her first novel; John Irving's "The World According to Garp" is his fourth; Barry Hannah's "Airships" is his first collection of stories, though he has already published two novels…. These young writers deserve praise: they are strong and original and clearly in touch with life,...
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Critical Essay by Michael Wood
346 words, approx. 1 pages
Biloxi, Vicksburg, Mobile, Newark, Santa Fe, Richmond, Atlanta, Tuscaloosa: The names all appear in Barry Hannah's striking book of short stories ["Airships"] and the places are mostly Southern. Mr. Hannah's territory is "the new American South," and the new economy of the South appears in one story as something like a frame of mind…. (p. 1) But Barry Hannah is not really a regional writer, except perhaps in the sense that "Dubliners" is a regio...
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Critical Essay by John Romano
336 words, approx. 1 pages
In its peculiar way—and its way is endlessly peculiar—Ray is a novel of the South…. [Barry Hannah's world] has the lyricism and silliness-with-a-straight-face of a Steinberg cartoon. Despite the background of violence and disorder—the sirens and the asylum are near—its immediate subject is quaintly untroubled, just as Steinberg's multicolored, melodramatic smears of mauve and blue and red coexist with simpler line-drawing….
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Critical Review by Janet Kaye
322 words, approx. 1 pages
In following review of Never Die, Kaye faults Hannah for not fully developing his characters.
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Critical Essay by Jim Harrison
282 words, approx. 1 pages
"Geronimo Rex" is a stunning piece of entertainment, almost a totally successful book…. Hannah is one of those young writers who is brilliantly drunk with words and could at gunpoint write a life story of a telephone pole. He strains for the bon mot and comes up with half a dozen…. "Geronimo Rex" is vulgar, sexual, ribald and wildly comic. The writing is intricate enough to make it hard to believe that it's really a first novel. The hero, Harriman Monroe, is ...
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Critical Review by The New Yorker
181 words, approx. 1 pages
In the excerpt below, the critic comments briefly on Never Die.
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Critical Essay by Harry Crews
149 words, approx. 1 pages
What kind of story can be told by a jet fighter pilot who fought—who fights—in the Civil War? The answer is a damn fine one. [In Ray] Barry Hannah very nearly merges reader and experience, greatly diminishing the distance that has always separated the two. In this novel, there are no transitions of time or space, but what emerges is a narrative that has the kind of unity and coherence that we associate with the best fiction. Every action, incident and perception echoes every other…. Thi...
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Critical Essay by Ronald Nevans
100 words, approx. 0 pages
Barry Hannah, who wrote the extravagantly praised Airships, is a master of the short form. Yet [Ray] often reads like a collection of sketches. It is diffuse—characters are introduced once and forgotten, incidents go nowhere—and this failure of continuity deprives the book of the cumulative power it should have. Ray is laconic, mean, raunchy, and very funny, but not as moving as it means to be. (p. 72) Ronald Nevans, "Fiction: 'Ray'," in Saturday Review...


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