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There are 26 critical essays on August Strindberg.
Critical Essays on August Strindberg
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Critical Essay by Freddie Rokem
10,646 words, approx. 36 pages
 In the following essay, Roken spotlights Strindberg's presentation of visual information as an element of his narrative technique.
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Critical Essay by Lynn R. Wilkinson
10,109 words, approx. 34 pages
In the following essay, Wilkinson examines a group of five plays known as the Chamber Plays: Oväder (Storm Weather), Brända temten (The Burned House), Spöksonaten (Ghost Sonata), Pelikanen (The Pelican), and Svarta handsken (The Black Glove).
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Critical Essay by Barbara Lide
8,306 words, approx. 28 pages
In the following essay, Lide looks at the body of Strindberg's work that can be classified as comedy.
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Critical Essay by Freddie Rokem
8,261 words, approx. 28 pages
In the following essay, Rokem follows a production of The Black Glove, directed by Wilhem Carlsson and performed by the Royal Dramatic Theatre of Sweden, through rehearsals, noting changes and additions made by the director and cast to better frame the staging.
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Critical Essay by Susan Brantly
7,205 words, approx. 24 pages
In the following essay, Brantly examines Carl XII and considers its place in Strindberg's oeuvre.
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Critical Essay by Paul Walsh
5,522 words, approx. 18 pages
In the following essay, Walsh remarks on the mixture of dramatic styles Strindberg used in The Pelican.
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Critical Essay by Stephen A. Mitchell
5,312 words, approx. 18 pages
In the following essay, Mitchell discusses the influence of Emmanuel Swedenborg's philosophy on Strindberg while he was writing Easter.
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Critical Essay by Harry G. Carlson
4,780 words, approx. 16 pages
In the following essay, Carlson examines the progrss of Strindberg's naturalistic period, from The Father through Miss Julie to The Creditors.
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Critical Essay by Matthew H. Wikander
3,074 words, approx. 10 pages
In the following essay, Wilander compares the way that three history plays, including Strindberg's Gustav III, treat their subjects.
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Critical Essay by Barbro Ståhle Sjönell
2,946 words, approx. 10 pages
In the following essay, based on the notes in Strindberg's “green bag,” Sjönell describes Strindberg's construction of the history plays and his plans to complete a history cycle.
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Critical Review by Ron Jenkins
1,751 words, approx. 6 pages
Below, Jenkins reviews a production of The Ghost Sonata performed at the National Theater in Oslo by the Royal Dramatic Theater of Sweden and directed by Ingmar Bergman.
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There are 6 critical essays on literary works by August Strindberg. Miss Julie
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