In the following interview, Egoyan discusses the nature of the film industry, his approach to filmmaking, and the influence of Canadian identity.

In the following essay, Harcourt, who teaches at Carleton University in Ottawa, traces the themes and cinematographic techniques characteristic of Egoyan's films and places the director's work in a Canadian context.

In the following essay, Johnson explores Egoyan's career, influences, and the filmmaker's concerns about his future.

In the following essay, Johnson considers the unique voice in Egoyan's films and explores the sources of his recurring cinematic themes.

In the following review, Taubin explores the recurring themes common in The Adjuster and Egoyan's earlier films.

In the following review, Romney praises Egoyan's work in The Adjuster, particularly his skillful use of repetition.

In the following review, Moore praises Egoyan's exploration of the nature of family in Family Viewing, but finds fault with his use of prostitution to suggest alienation.

In the following review, Chang describes the history behind Egoyan's Calendar and explores the film's major plot elements.

In the following review, Wall discusses the central plot and thematic material in Calendar.