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Portrait of Aphra Behn, aged approximately 30, by Mary Beale. |
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There are 15 critical essays on Aphra Behn.
Critical Essays on Aphra Behn

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Critical Essay by Angeline Goreau
8,855 words, approx. 30 pages
 Here, Goreau traces the critical and popular reaction to some of Behn's works, focusing especially on the writer's criticism of the "property-marriage system" in her plays.
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Critical Essay by Judith Kegan Gardiner
8,780 words, approx. 29 pages
 An American critic and educator, Gardiner has published a study on the verse of English poet and dramatist Ben Jonson and has also contributed essays to several publications devoted to feminist criticism and scholarship. In the following essay, she states that Behn expressed in her verse a desire for the liberation of women from repressive social and political norms.
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Critical Essay by Nancy Cotton
7,337 words, approx. 25 pages
 Below, Cotton studies the development of Behn's career and the course of critical reaction to her work.
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Critical Essay by Catherine Gallagher
7,324 words, approx. 24 pages
 Here, Gallagher focuses on The Lucky Chance, exploring how Behn "created a persona that skillfully intertwined the age's available discourses concerning women, property, selfhood and authorship."
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Critical Essay by Bernard Duyfhuizen
5,771 words, approx. 19 pages
 In the following excerpt, Duyfhuizen explicates the poem "The Willing Mistress" through comparisons to other verse by Behn and to her drama The Dutch Lover, finding that the poem is a metaphor for a woman trying to retain her identity and control in a male-dominated world.
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Critical Essay by Carol Barash
4,071 words, approx. 14 pages
 In the following essay, Barash argues that Behn 's erotic poems contest "the heterosexual assumptions on which lovers' language is based. " Barash focuses primarily on the poem "The Disappointment."
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Critical Essay by Frederick M. Link
4,051 words, approx. 14 pages
 An American educator specializing in English literature, Link has published editions of works by Behn, John Dryden, Hannah Cowley, and Walter Scott. In the following excerpt, he provides an overview of Behn's poetry.
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Critical Essay by Judith Kegan Gardiner
3,662 words, approx. 12 pages
 In the essay below, Kegan Gardiner maintains that Behn's work is imbued with eroticism, reflecting the author's belief that "sexual passion … [is the root of all social impulse. "]
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Critical Essay by Ros Ballaster
1,732 words, approx. 6 pages
 In the following excerpt, Ballaster explores the relationship between Behn's poetry and her opinions about gender roles.
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Critical Essay by Virginia Woolf
812 words, approx. 3 pages
 Woolf is one of the most prominent literary figures of twentieth-century English literature. Like her contemporary James Joyce, with whom she is often compared, Woolf is remembered as one of the most innovative of the streamof-consciousness novelists. Concerned primarily with depicting the life of the mind, she revolted against traditional narrative techniques and developed her own highly individualized style. Her criticial essays, which cover almost the entire range of English literature, contain some of ...
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Critical Essay by V. Sackville-West
732 words, approx. 2 pages
 Vita Sackville-West was an English poet, novelist, biographer, and essayist. In the following excerpt, she judges whether Behn should more appropriately be considered a poet or a songwriter.
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Poem by Kendrick
489 words, approx. 2 pages
 In the following poem, Kendrick praises Behn in exalted terms, likening her to a goddess and declaring her verse superior to that of Orinda (Katherine Philips), Sappho, and even Ovid.
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Critical Essay by Athenian Mercury
356 words, approx. 1 pages
 In responding to a reader's question, the editor opines that Behn's poetry is uncannily similar in spirit to that of Sappho, and wishes that Behn had produced her own translation of Sappho's verse.

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