In the following essay, Byrne claims that, while he is not regarded by many as a great writer, Munday does provide an interesting life study and his works do merit critical consideration.

In this essay, Bergeron closely examines Munday's Lord Mayors' Shows and explores their relation to stage plays.

In the following essay, Meagher examines Munday's Robin Hood plays for what they reveal of Elizabethan popular taste.

In the following essay, Bergeron evaluates Munday's role in the development of Jacobean civic pageantry.

In the following essay, Levin considers how The Downfall of Robert, Earl of Huntington and The Death of Robert, Earl of Huntington “explicate the ideology of uncontrolled sexuality as a metaphor for all manner of ill-rule.”

In the following essay, Bergeron questions the accepted belief by many scholars that Middleton had nothing but contempt for Munday.

In the following essay, Margeson examines The Downfall of Robert Earl of Huntington and The Death of Robert Earl of Huntington within the romance tradition.

In the following excerpt, Stillinger provides a thorough examination of Munday's Zelauto, assessing the nature of the work and its merit.

In the essay below, Singman considers Munday's depiction of Robin Hood in his Huntington plays, which he claims was not only unprecedented, but one of the most influential interpretations ever written.

In the following essay, Scanlon attempts to demonstrate the underlying coherence of Zelauto, despite its episodic structure.

In the essay below, Wolf discusses The Downfall of Robert Earl of Huntington as a work of mass entertainment.