In the following interview, Perry discusses her writing style, her major characters, and the reason she places her detective fiction in the Victorian Era.

In the following interview, Grossman talks about her life and how she is dealing with the publicity surrounding her past.

In the following review, Lejeune discusses the effect of knowing Perry's background on our reading of her work.

In the following essay, DuVal discusses Perry's writing style and use of characterization in her novels.

In the following interview, Perry discusses her involvement in a 1954 murder in New Zealand.

In the following essay, Wickens discusses the problems that have plagued Ann Perry since the revelation of her involvement in a 1954 homicide in New Zealand.

In the following review, Boyle attributes many of the problems of Perry's A Sudden, Fearful Death, to its unfocused protagonist William Monk.

In the following review, Dunn asserts that although Weighed in the Balance is not Perry's best work, the continuing narrative of William Monk does keep the reader coming back.

In the following review, Gotshall asserts that readers of Perry's Thomas and Charlotte Pitt series will not be disappointed with Ashworth Hall.

In the following excerpt, Dickinson complains of the obvious ending and difficult to believe plot of Perry's The Silent Cry.

In the following excerpt, Auswaks discusses the questions raised in Perry's Pentecost Alley.

In the following excerpt, Kaufman praises "the long-awaited romantic denouement [of Perry's A Breach of Promise, which brought tears to my eyes."]

In the following review, the critic lauds the courtroom scenes in Weighed in the Balance.

In the following review, the critic praises Pentecost Alley stating, "As Perry edges toward her surprise ending, she crafts her tale with elegance, narrative depth and gratifying scope."

In the following review, Curnin lauds Perry's strong characterization in Brunswick Gardens.

In the following excerpt, Kaufman praises Perry's The Silent Cry, stating that "[the denouement is shocking, and the characters are so richly drawn that you'll miss them when they're gone."]

In the following review, Melton praises Perry's Cain His Brother for its "superb plotting, fine writing, intriguing characters, and outstanding historical detail."

In the following review, the critic concludes, "Rounded out by a host of lively characters, [The Face of a Stranger is a memorable tale."]

In the following review, Melton lauds Perry's Farrier's Lane.