In the essay that follows, Rosenmeyer discusses the conversion of Admetus in Alcestis, which centers around the dramatic depiction of death in the play.

In the following excerpt, Conacher provides background on the Alcestis, explores the question of whether it should be considered a satyr-play, and analyzes its themes and structure.

In the following excerpt, Segal focuses on death and mourning in the Alcestis and contends that the play, despite its depiction of women's feelings, is a firmly patriarchal work.

In the following excerpt, Arrowsmith provides a modal analysis of the Alcestis.

In the following excerpt, Gounaridou surveys numerous twentieth-century critical interpretations of the meaning of the Alcestis and concludes that the scholarly indeterminacy she finds reflects the deliberately ambiguous nature of the play.