Piccolo analyzes Fo's use of farce in Accidental Death of an Anarchist to achieve "his political goal of demystification of power."

Cowan presents a brief survey of Fo's career and the background of Accidental Death of an Anarchist, and offers a concise appreciation of the play itself

Dario Fo, the Italian comedian and playwright, whose hilarious Accidental Death of an Anarchist … savages the brutality of the Italian police, uses the clown's hijinks to do gorgeous battle with officialdom…. As a clown and an activist, Fo has discovered in farce a strategy for emotionally detaching both audience and actors from the tragic issues his plays debate. "In farce," he says, "you have the possibility of going beyond the character. You can comment on the si...

[In Accidental Death of an Anarchist] Fo's method is to manoeuvre the police into becoming increasingly desperate with their own verbal petards. Was the suspect so badly bullied that he committed suicide? No, he wasn't, it was a very good humoured interrogation. Did he jump out of the window from sheer happiness, then? Well, no, not exactly…. So the questions continue until the truth is blurted out: Pinelli was pushed. It is a sombre conclusion. An atrocity has been committed, and one t...

[Accidental Death of an Anarchist produces] situations which are half farce, half nightmare and completely deplorable. The play is steeped in fact, drawing on the death of railway worker Giuseppe Pinelli, a noted anarchist, who was arrested for his part in the bomb massacre at the Agricultural Bank (14 dead) and later 'fell' (ie was pushed) to his death from the fourth floor of the Milan police headquarters on 16 December 1969. However, Fo's play … also demonstrates that Italy is...