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There are 14 critical essays on A Week on the Concord and Merrimack Rivers.
Critical Essays on A Week on the Concord and Merrimack Rivers

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Critical Essay by Linck C. Johnson
18,006 words, approx. 60 pages
 In the following excerpt, Johnson relates the troubled ten‐year history of A Week, from the river trip to initial publication.
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Critical Essay by Frederick Garber
14,457 words, approx. 48 pages
 In the following excerpt, Garber argues that Thoreau inserted the Saddleback Mountain climbing episode in order to show the insufficiency of textual and temporal closures.
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Critical Essay by Lawrence Buell
10,737 words, approx. 36 pages
 In the following excerpt, Buell traces the course of A Week and explains how it displays, through “endless suggestiveness,” the Transcendentalist sensibility.
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Critical Essay by William Rossi
10,634 words, approx. 35 pages
 In the following essay, Rossi demonstrates that much of Thoreau's view of science can be traced to Charles Lyell's Principles of Geology.
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Critical Essay by Joan Burbick
9,363 words, approx. 31 pages
 In the following essay, Burbick analyzes Thoreau's views concerning the treatment of history, including his disdain for historical approaches that rely on romantic and novelistic techniques.
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Critical Essay by Eric Wilson
8,891 words, approx. 30 pages
 In the following essay, Wilson explores Thoreau's concept—borrowed from the philosopher Thales—of water as the fundamental principle of the cosmos.
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Critical Essay by H. Daniel Peck
7,983 words, approx. 27 pages
 In the following excerpt, Peck analyzes Thoreau's concern with the nature of time, showing how he responded with literary techniques of temporal disorder and creative remembering.
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Critical Essay by Jamie Hutchinson
7,925 words, approx. 26 pages
 In the following essay, Hutchinson contends that A Week documents Thoreau's belief in historical progress and that he sought inspiration, not eternity, in his river voyage.
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Critical Essay by David B. Suchoff
6,976 words, approx. 23 pages
 In the following essay, Suchoff contends that Thoreau sought to understand the mystery of nature through friendship rather than language.
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Critical Essay by Marvin Fisher
5,595 words, approx. 19 pages
 In the following essay, Fisher considers Edward Johnson's apocalyptic‐imbued history of the settlement of New England and its influence on Thoreau.
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Critical Essay by Donald M. Murray
5,262 words, approx. 18 pages
 In the following essay, Murray offers a Freudian reading of the ascent of Mt. Greylock, claiming that Thoreau was motivated by Oedipal conflicts.
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Critical Essay by Walter Hesford
4,897 words, approx. 16 pages
 In the following essay, Hesford interprets A Week as a call for faith in response to the incessant tragedies of nature and life.
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Critical Essay by Paul David Johnson
4,650 words, approx. 16 pages
 In the following essay, Johnson contends that the quest for self‐liberation is central to A Week, a quest advanced through the cyclical representation of time.
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Critical Essay by Stephen Adams
3,119 words, approx. 10 pages
 In the following essay, Adams explains the teaching opportunities that arise from exploring the question of A Week's genre.

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