In the following essay, Pons explores the erotic and chauvinistic dimensions of Hope's verse.

In the following essay, Bowers contends that the defining characteristics of Hope's poetry—particularly his reliance on conventional forms and his rejection of modernism—have now come back into vogue in literary circles.

In the following essay, Wallace-Crabbe argues that Hope's poetry resists easy categorizations and investigates the poet's relationship to symbolism.

In the following essay, Wright offers a thematic and stylistic analysis of Hope's poetry.

In the following essay, Suchting delineates the “frame of reference” in Hope's verse.

In the following essay, which was originally published in 1988, Steele examines the theme of voyage in Hope's poetry, focusing on “the character of his quest.”

In the following essay, Maver considers the links between the poetry of Hope and Charles Baudelaire.

In the following essay, Martin asserts that although Hope is perceived as a conservative, almost archaic poet, he is in his own way an unorthodox and unique Australian poet.

In the following essay, which was originally published in 1992, Brooks reevaluates Hope's reputation as a poet through an examination of his collections Orpheus and The Age of Reason.

In the following review of A Late Picking, Zwicky discusses Hope's reputation as a poet in Australia and elucidates the central themes in his verse.