SOURCE: " 'Young Goodman Brown' and the Failure of Hawthorne's Ambiguity," in Colby Library Quarterly, Vol. IX, No. 8, December, 1971, pp. 425-31.

In this essay, Humma argues that the ambiguous ending of "Young Goodman Brown" reveals Hawthorne's artistic failure rather than his triumph.

Most critics of "Young Goodman Brown" consider it one of Hawthorne's finest short stories. Richard H. Fogle, for instance, says [in Hawthorne's Fiction: The Light and the Dark, 1952] that in "Young Goodman Brown" Hawthorne has achieved that "reconciliation of opposites which Coleridge deemed the highest art." Daniel Hoffman [in Form and Fable in American Literature, 1965] ranks it as "one of Hawthorne's masterpieces." To Roy Male "Young Goodman Brown" is nothing less than "one of the world's great short stories" [Hawthorne's Tragic Vision, 1957]. In spite of such accolades (or perhaps because of them), few critics are agreed as to the story's precise meaning. In general, the criticism falls...