SOURCE: “Wyndham Lewis: L'Entre Deux Guerres,” in Ezra Pound, Wyndham Lewis, and Radical Modernism, Oxford University Press, 1993, pp. 91-39.
In the following excerpt, Sherry examines Lewis's visual art as well as his body of written work to support his claim that Lewis failed to present a philosophically cohesive, unified body of work.
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