[The question of tone] is troubling for anyone writing about Wodehouse. High seriousness about him brings to mind poor Professor Scully. This professor's attempt, in 1902, to describe a smile scientifically was quoted by Richard Usborne in his fine book Wodehouse at Work. Scully doggedly dissected "the drawing back and slight lifting of the corners of the mouth, which partially uncover the teeth, the curving of the naso-labial furrows …"
Wodehouse is peculiarly resistant to what we might term the naso-labial approach, which is possibly why critics have always had such a hard time with him. It is, of course, the work of a moment to knock together something about the master-servant relationship as displayed by Wooster and Jeeves, and the relevance of same to British social history. Such an approach is not actively harmful, but it suffers from naso-labialism—leaving the mystery of Wodehouse's genius intact.
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