"Yvor Winters: poet, professor, critic …" This original sequence still holds when one turns from critical theory to actual practice in the development of Winters' double career. One need always remember that he developed his particular theories of criticism as a result of certain necessary practices in the creation of his poetry. His first published works were all poems, and his later critical canon is the direct result of his practical poetic experiments….
It is ironic that he has been more widely acclaimed as critic than as poet since his controversial critical career was actually always secondary for him. He hoped people would read his poetry first and thereby better understand his criticism, since that was the order of its genesis; but few ever did…. It is a fact that his poetry was consistently read through the years only by other poets who understood how much might be learned here: Marianne Moore, Allen Tate, Robert Lowell, Louise Bogan, John Crowe Ransom, John Ciardi, Donald Justice, Thomas Gunn, J. V. Cunningham. (p. 65)
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