The first intimation that [Jack Williamson] had finally made the grade as a professional writer came without notice … when he received the December, 1928, AMAZING STORIES. The cover, by Frank R. Paul, depicted a scene from Williamson's story The Metal Man. The editor clearly recognized Williamson's literary deity in his blurb: "Not since we published 'The Moon Pool' has such a story as this been published by us."
The Metal Man concerned radioactive emanations from a form of intelligent crystalline life which turn all objects into metal. While the story was a good first effort, the enthusiasm with which it was received ran far beyond its conceptual or literary qualities. However, in trying to capture something of [Abe] Merritt in his writing, Jack Williamson had undoubtedly struck the right chord. (pp. 87-8)
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