SOURCE: "'Through Soundproof Glass': The Prison of Self-Consciousness in The Glass Menagerie, in Modern Drama, Vol. 36, No. 4, December, 1993, pp. 529-37.

In the following essay, Levy explores the significance of mirrors as a symbol for superficial appearances and fragile self-image in The Glass Menagerie.

In his production notes introducing The Glass Menagerie, Tennessee Williams refers to nostalgia as "the first condition of the play." This appraisal at first seems accurate, for the drama disposes the past in a series of receding planes by which the very notion of nostalgia is progressively deepened. From the perspective of Tom, the narrator and a chief character, the past when he started "to boil inside" with the urge to leave home becomes a haunting memory from which his present struggles vainly to flee. But the confining power of that past derives from his mother's nostalgic attachment to her own more distant past and...