SOURCE: Tarvers, Josephine Koster. “‘The Deep Still Land of Colours’: Color Imagery in The Defence of Guenevere and Other Poems.” Studies in Philology 84, no. 2 (spring 1987): 180-93.
In the following essay, Tarvers contends that Morris utilizes vivid color imagery in The Defence of Guenevere and Other Poems to manipulate “readers' emotional responses to the character and situations in his poetry.”
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