SOURCE: "Snatching a Laurel, Wearing a Mask: Phillis Wheatley's Literary Nationalism and the Problem of Style," Style, Vol. 27, No. 2, Summer, 1993, pp. 222-51.
In the following essay, Kendrick contests the common biographical and critical assessment that Wheatley was fully assimilated into white culture. He proposes that Wheatley's written works display a distinctive authorial voice that remained aware of her marginal status as a slave.
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