SOURCE: Shengold, David. Review of The Festival of Regrets, by Wendy Wasserstein. Theatre Journal 52, no. 1 (March 2000): 126-28.
In the following review, Shengold comments on the humor of The Festival of Regrets—which was first performed as part of a production of three one-act operas titled Central Park—noting the comic effect of the interplay between the libretto and the musical score.
This is a free excerpt of 61 words. There are 1,018 words (approx.
3 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Wendy Wasserstein: Critical Review by David Shengold Access Pass.