[The] stories of The Wide Net represent a specializing, an intensifying, of one of the many strains which were present in A Curtain of Green. All of the stories in A Curtain of Green bear the impress of Miss Welty's individual talent, but there is a great variety among them in subject matter and method and, more particularly, mood…. The material of many of the stories was sad, or violent, or warped, and even the comedy and wit were not straight, but if read from one point of view, if read as a performance, the book was exhilarating, even gay, as though the author were innocently delighted not only with the variety of the world but with the variety of ways in which one could look at the world and the variety of things that stories could be and still be stories. Behind the innocent delight of the craftsman, and of the admirer of the world, there was also a seriousness, a philosophical cast of mind, which gave coherence to the book, but on the surface there was the variety, the succession of surprises. In The Wide Net we do not find the surprises. The stories are more nearly cut to one pattern. (pp. 156-57)
[On] the first page, with the first sentence, we enter a special world: "Whatever happened, it happened in extraordinary times, in a season of dreams …" And that is the world in which we are going to live until we reach the last sentence of the last story. "Whatever happened," the first sentence begins, as though the author cannot be quite sure what did happen, cannot quite undertake to resolve the meaning of the recorded event, cannot, in fact, be too sure of recording all of the event. This is coyness, of course; or a way of warning the reader that he cannot expect quite the ordinary direct light on the event…. [The] faces and gestures and events often have something of the grave retardation, the gnomic intensity, the portentous suggestiveness of dreams. The logic of things here is not quite the logic by which we live, or think we live, our ordinary daylight lives. (p. 157)
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