SOURCE: "Tragedy," in Women and Gender in Renaissance Tragedy: A Study of King Lear, Othello, The Duchess of Malfi, and The White Devil, Humanities Press International, Inc., 1989, pp. 49-73.
In the excerpt below, Callaghan contends that traditional "masculinist" criticism has erroneously focused on the dramatist's "defective dramaturgy" rather than "regarding Webster's play as a demonstration of certain flaws in the critical construction of tragedy," particularly those associated with the roles for women.
This is a free excerpt of 72 words. There are 1,729 words (approx.
6 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our John Webster 1580(?)–1634(?): Critical Essay by Dympna Callaghan Access Pass.