Wendy Wasserstein | Criticism

This literature criticism consists of approximately 1 page of analysis & critique of Wendy Wasserstein.

Wendy Wasserstein | Criticism

This literature criticism consists of approximately 1 page of analysis & critique of Wendy Wasserstein.
This section contains 264 words
(approx. 1 page at 300 words per page)
Buy the Critical Essay by Edith Oliver

[Wendy Wasserstein] is among the funniest and most inventive writers around, but the first version of "Isn't It Romantic" seemed to me "as out of shape and listless as its beguiling heroine." That has now changed. Miss Wasserstein has revised her script, and she and her director, Gerald Gutierrez, have given the play momentum and a sense of purpose; there is nothing listless here…. My first feeling was one of dismay that the play had lost its innocence, but eventually I realized that that was the whole point: it has indeed lost its innocence but in the doing has acquired muscle and form. Janie, for all her frustration and bewilderment, learns who she is and what she wants, and when she turns down the unsuitable doctor she knows exactly why. The statement "Life is negotiable" occurs several times in the text, but she is not about to negotiate...

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This section contains 264 words
(approx. 1 page at 300 words per page)
Buy the Critical Essay by Edith Oliver
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Critical Essay by Edith Oliver from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.