The Sisters Rosensweig | Criticism

This literature criticism consists of approximately 2 pages of analysis & critique of The Sisters Rosensweig.

The Sisters Rosensweig | Criticism

This literature criticism consists of approximately 2 pages of analysis & critique of The Sisters Rosensweig.
This section contains 491 words
(approx. 2 pages at 300 words per page)
Buy the Critical Review by Jack Kroll

SOURCE: "You Gotta Have Heart," in Newsweek, Vol. CXX, No. 18, November 2, 1992, p. 104.

In the following review of The Sisters Rosensweig, which premiered at New York's Lincoln Center under the direction of Daniel Sullivan, Kroll maintains that Wasserstein's female characters are poorly developed and that the play's humor, while entertaining, evades rather than confronts serious issues.

There's a fine borderline between entertaining an audience and ingratiating oneself with it. In her new play The Sisters Rosensweig Wendy Wasserstein violates that border. Wasserstein, who won the 1989 Pulitzer Prize for her play The Heidi Chronicles, has dealt deftly with the thorny ironies of the young feminist middle class. But in her new play she settles for—no, insists on—the clever laugh, the situation that charms rather than challenges. The play deals with three Jewish-American sisters celebrating the 54th birthday of the eldest, Sara, in London, where she's become a big-shot...

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This section contains 491 words
(approx. 2 pages at 300 words per page)
Buy the Critical Review by Jack Kroll
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Critical Review by Jack Kroll from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.