There is nothing cool or throwaway in Alice Walker's attitude toward the materials of her fiction. The first book by this exceptionally productive novelist, poet, and short-story writer to come to my notice was Meridian (1976), an impassioned account of the spiritual progress of a young black woman, Meridian Hill, during the civil-rights struggle of the 1960s and its aftermath…. Though beset by serious structural problems and other lapses of craft, Meridian remains the most impressive fictional treatment of the "Movement" that I have yet read.
In The Color Purple Alice Walker moves backward in time, setting her story roughly (the chronology is kept vague) between 1916 and 1942—a period during which the post-Reconstruction settlement of black status remained almost unaltered in the Deep South. Drawing upon what must be maternal and grandmaternal accounts as well as upon her own memory and observation, Miss Walker, who is herself under forty, exposes us to a way of life that for the most part existed beyond or below the reach of fiction and that has hitherto been made available to us chiefly through tape-recorded reminiscences: the life of poor, rural Southern blacks as it was experienced by their womenfolk. (p. 35)
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