One of the major concerns of Alice Walker's art is the exploration of intra-family relationships…. The family dynamic in Alice Walker's work is a key part of the formative influence of "what has gone before." In Walker's first novel, the family configuration is defined by the child's special relationship to her grandfather and by the tension between father and grandfather. The use of the family as an imaginative structure—as a way of organizing experience—then undergoes an important change: the prominence of the grandfather as against the father in the first novel gives way in the second to an emphasis on a daughter's guilt-laden relation to her mother. (p. 71)
The Third Life of Grange Copeland …, a novel which concerns three generations of a rural Southern black family, begins by demonstrating with a vivid matter-of-factness the family's entrapment in a vicious cycle of poverty. Permanently indebted to the white owner of the cotton fields in which he works, Grange Copeland seeks release in drinking, in violence against his wife, and in being "devoid of any emotion."… Particularly convincing is the picture of Grange's submission as seen from the point of view of his son Brownfield, who has begun to work in the fields at the age of six…. (pp. 71-2)
This is a free excerpt of 209 words. There are 1,440 words (approx.
5 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Walker, Alice 1944–: Critical Essay by Peter Erickson Access Pass.
