W. C. Handy | Criticism

This literature criticism consists of approximately 8 pages of analysis & critique of W. C. Handy.

W. C. Handy | Criticism

This literature criticism consists of approximately 8 pages of analysis & critique of W. C. Handy.
This section contains 1,916 words
(approx. 7 pages at 300 words per page)
Buy the Critical Essay by Jelly Roll Morton

SOURCE: “I Created Jazz in 1902, Not W. C. Handy,” in Down Beat, Vol. 61, No. 7, July, 1994, pp. 10, 12-13.

In the following essay, originally composed in 1938, Morton claims that blues music predates both himself and W. C. Handy, and maintains that he—rather than Handy—was the originator of jazz.

Dear Mr. Ripley:

For many years I have been a constant reader of your (Believe It or Not) cartoon. I have listened to your broadcast with keen interest. I frankly believe your work is a great contribution to natural science.

In your broadcast of March 26, 1938, you introduced W. C. Handy as the originator of jazz, stomps, and blues. By this announcement you have done me a great injustice, and you have also misled many of your fans.

It is evidently known, beyond contradiction, that New Orleans is the cradle of jazz, and I, myself, happened to be creator in the...

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This section contains 1,916 words
(approx. 7 pages at 300 words per page)
Buy the Critical Essay by Jelly Roll Morton
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Critical Essay by Jelly Roll Morton from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.