Like his fellow humorist Mark Twain, Kurt Vonnegut attains his main strength as a writer in his grasp of persona. Wear the right mask, he knows, and you can say anything. Critics are disarmed by this approach, not knowing which voice is that of the "real' Vonnegut and which only an illusion…. Thus, the typical Vonnegut book is endearing, puzzling, and infuriating, as is Palm Sunday, a book which should make Vonnecultists of the four or five Americans who still are not. Try, but it's hard to dislike Palm Sunday. (pp. 57-8)
Not one, but three Kurt Vonneguts inhabit the pages of Palm Sunday. In the quasi-scientific language he seems to love, they are KV-1, KV-2, and KV-3, or the Risque Buffoon, the Freedom Fighter, and the Mandarin Simplifier.
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Read the rest of this Criticism with our Vonnegut, Kurt, Jr. 1922–: Critical Essay by Chris Tucker Access Pass.
