The conventions of World War II fiction are hardening. Following them, the novelists assemble a group of self-conscious types meant to represent a cross-section of America's regional, racial and social problems. The war novelists continue to show us the types in civilian settings, emphasizing the social data. And then they shift the scenes, and the moral and social values, and take their types to war, to share a common experience. The treatment, by convention, is almost always realistic. If the result is not a novel, it has often turned out to be a social document….
[Mr. Uris'] squad is a squad of Marines, and like almost every writer who comes upon that exotic branch of the service, Mr. Uris has tried to explain its mysteries. This has given his types a second function, and a far wider meaning.
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