SOURCE: “Eco's Echoes: Ironizing the (Post)Modern,” in Diacritics: A Review of Contemporary Criticism, Vol. 22, No. 1, Spring, 1992, pp. 2-16.
In the following essay, Hutcheon traces the narrative development of irony in Foucault's Pendulum, highlighting the novel's representation of semiotic differences between modern and postmodern literary traditions.
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