SOURCE: Osborne, Laurie. “Cutting up Characters: The Erotic Politics of Trevor Nunn's Twelfth Night.” In Spectacular Shakespeare: Critical Theory and Popular Cinema, edited by Courtney Lehmann and Lisa S. Starks, pp. 89-109. Madison: Fairleigh Dickinson University Press, 2002.
In the following essay, Osborne studies the ways in which Trevor Nunn's film adaptation of Twelfth Night adopts a heavy-handed approach to film editing and textual rearrangement in order to produce the effect of character continuity.
