Twelfth Night | Criticism

This literature criticism consists of approximately 65 pages of analysis & critique of Twelfth Night.

Twelfth Night | Criticism

This literature criticism consists of approximately 65 pages of analysis & critique of Twelfth Night.
This section contains 17,707 words
(approx. 60 pages at 300 words per page)
Buy the Critical Essay by Roger Warren and Stanley Wells

SOURCE: Warren, Roger and Stanley Wells. Introduction to Twelfth Night, or What You Will, by William Shakespeare, edited by Roger Warren and Stanley Wells, pp. 1-76. Oxford: Clarendon Press, 1994.

In the following excerpt, Warren and Wells survey Twelfth Night's setting, sources, themes, and major characters. The critics' discussion is often informed by insights gleaned from twentieth-century stagings of the play.

Twelfth Night is one of the most popular of Shakespeare's plays in the modern theatre, and its success seems to have begun early; the sole surviving reference to it during Shakespeare's lifetime is to a performance. On 2 February 1602, John Manningham, then a law student of the Middle Temple in London, wrote in his diary:

At our feast we had a play called Twelfth Night, or What You Will, much like The Comedy of Errors or Menaechmi in Plautus, but most like and near to that in Italian...

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This section contains 17,707 words
(approx. 60 pages at 300 words per page)
Buy the Critical Essay by Roger Warren and Stanley Wells
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Critical Essay by Roger Warren and Stanley Wells from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.