Twelfth Night | Criticism

This literature criticism consists of approximately 3 pages of analysis & critique of Twelfth Night.

Twelfth Night | Criticism

This literature criticism consists of approximately 3 pages of analysis & critique of Twelfth Night.
This section contains 831 words
(approx. 3 pages at 300 words per page)
Buy the Critical Review by Richard Findlater

SOURCE: "Twelfth Night: Stratford-Upon-Avon," in Plays & Players, No. 358, July, 1983, pp. 20-1.

After six years with the RSC John Caird, one of its four resident directors has staged his first major production in the main Stratford house; and it is surely a good augury for the future that this is an all-round success in an older Avonside tradition. No gimmicky sound scores, fancy dress or constructivist sets: not a hint of agitprop or alienation; no gabbling or garbling of the text; no patronising of the characters in the play. Here be, in profusion, clear voices, lush feelings, rich sunsets, starry skies, storm light, moonlight, and the light of true Shakespearian romance. Everything happens near the sea where it all started, whose murmur we sometimes hear, and whose imminence we sense. A rocky path winds down from a mid-stage horizon to the shelter of a vast autumnal box-tree whose tangled...

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This section contains 831 words
(approx. 3 pages at 300 words per page)
Buy the Critical Review by Richard Findlater
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Critical Review by Richard Findlater from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.