SOURCE: Glasser, Marvin. “Baroque Formal Elements in Shakespeare's Troilus and Cressida.” Upstart Crow 6 (1986): 54-70.
In the following essay, Glasser studies those formal effects of Troilus and Cressida that bear a resemblance to the visual effects common in paintings contemporary with the play, contending that both types of effects suggest a collapse of sixteenth-century thought concerning the relationship between time and space, and between subject and object.
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