SOURCE: "Stoppard's Theatre of Unknowing," in British and Irish Drama since 1960, edited by James Acheson, The Macmillan Press Ltd., 1993, pp. 117-29.
In the essay below, Doll provides an overview of Stoppard's drama, noting the use of paradox, ambiguity, and humor, which characterize his work as "post-Absurdist. "
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