Things as They Are; or, The Adventures of Caleb Williams | Criticism

This literature criticism consists of approximately 25 pages of analysis & critique of Things as They Are; or, The Adventures of Caleb Williams.

Things as They Are; or, The Adventures of Caleb Williams | Criticism

This literature criticism consists of approximately 25 pages of analysis & critique of Things as They Are; or, The Adventures of Caleb Williams.
This section contains 6,735 words
(approx. 23 pages at 300 words per page)
Buy the Critical Essay by Gerard A. Barker

SOURCE: Barker, Gerard A. “The Narrative Mode of Caleb Williams: Problems and Resolutions.” Studies in the Novel 25, no. 1 (spring 1993): 1-15.

In the following essay, Barker examines Godwin's original purpose in writing Caleb Williams, his initial use of third-person narration, and the changes he made to accommodate the shift to first person.

The inherent limitations of first-person narratives in which the hero recounts his own story have often been described.1 Character analysis in memoir novels is usually limited both by the narrator's inability to view himself with the detachment of a privileged third-person narrator as well as enter the minds of other characters. As Mrs. Barbauld long ago observed, “what the hero cannot say, the author cannot tell.”2 Or, to quote a more recent critic, “the author using the I-narrator deliberately goes forth to battle with one hand tied behind his back.”3 We know that Dostoevski abandoned his first-person...

(read more)

This section contains 6,735 words
(approx. 23 pages at 300 words per page)
Buy the Critical Essay by Gerard A. Barker
Copyrights
Gale
Critical Essay by Gerard A. Barker from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.