SOURCE: “Chapter 100: 1951,” in Yale Companion to Jewish Writing and Thought in German Culture 1096-1996, edited by Sander. L. Gilman and Jack Zipes, Yale University Press, 1997, pp. 691-96.
In the following essay, Olschner examines the relevance of Adorno's assertion that lyric poetry could not be written after the events of the Holocaust.
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