SOURCE: “The Two Gentlemen of Verona as Burlesque,” in English Literary Renaissance, Vol. 12, No. 2, Spring 1982, pp. 210-19.
In the following essay Rossky maintains that The Two Gentlemen of Verona, particularly the play's ending, is intended as a burlesque, rather than as a serious but ultimately failed attempt to portray the conventions of Renaissance thinking on ethics.
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