SOURCE: "The Tempest: 'Something Rich and Strange'," in Shakespeare: The Jacobean Plays, St. Martin's Press, 1994, pp. 175-97.
In the following essay, McGuire emphasizes the essentially theatrical nature of The Tempest, and suggests possible interpretations of the text—especially of Antonio's silence at the end—that can be represented on stage but might not be apprehended by readers. He also points out unique or distinctive qualities of the work which include the unconventional deception of the audience, concern with the New World, observance of Neoclassical unities of time and place, and a heterogeneous mixture of sources.
This is a free excerpt of 93 words. There are 9,330 words (approx.
31 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our The Tempest: Critical Essay by Philip C. McGuire Access Pass.