SOURCE: "The Accomplice in 'The Tell-Tale Heart'," in Studies in Short Fiction, Vol. 22, No. 4, Fall, 1985, pp. 471-75.

In the following essay, Witherington argues that the reader of "The Tell-Tale Heart, " seduced by the narrator into participating vicariously in his crime, is transformed into "An active voyeur" and "An accomplice after the fact" in the old man's murder.

"Poe's narrator tells a plain and simple story, which leaves no doubt that he is mad," T. O. Mabbott says in his preface to "The Tell-Tale Heart."¹ Most readers would agree, not only because the murder of an old man seems motiveless, but also because the narrator's confession comes across as calculated and heartless. Whereas "The Cask of Amontillado" offers witty dialogue and a romantic setting, inviting us into the story and thus eliciting our sympathy for the narrator in spite of our antipathy to the murder, "The Tell-Tale Heart" entombs...