SOURCE: “Kate, Bianca, Ruth, and Sarah: Playing the Woman's Part in The Taming of the Shrew,” in Shakespeare's Sweet Thunder: Essays on the Early Comedies, edited by Michael J. Collins, University of Delaware Press, 1997, pp. 176-215.
In the following excerpt, Rutter provides an overview of twentieth-century performances of The Taming of the Shrew, discussing the effects of feminist theory on the interpretations.
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