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Critical Essay by Carol Rutter
SOURCE: “Kate, Bianca, Ruth, and Sarah: Playing the Woman's Part in The Taming of the Shrew,” in Shakespeare's Sweet Thunder: Essays on the Early Comedies, edited by Michael J. Collins, University of Delaware Press, 1997, pp. 176-215.
In the following excerpt, Rutter provides an overview of twentieth-century performances of The Taming of the Shrew, discussing the effects of feminist theory on the interpretations.
Mess. Your honor's players, hearing your amendment, Are come to play a pleasant comedy. … Sly. Is not a comonty a Christmas gambold, or a tumbling-trick? Page. No, my good lord, it is more pleasing stuff. Sly. What, household stuff? Page. It is a kind of history.
(Ind. 2.129-30 and 137-41)
Like Polonius trying to pin down the play at Elsinore, The Taming of the Shrew makes several stabs at fixing its own genre. But while the self-appointed master of the Danish revels has a clear...
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This section contains 13,659 words (approx. 46 pages at 300 words per page) |
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