SOURCE: "With Grace Under Pressure," in Ernest Hemingway: Critiques of Four Major Novels, edited by Carlos Baker, Charles Scribner's Sons, 1962, pp. 132-34.

In the following early review, originally published in The New Republic in 1952, Schorer points out some flaws in The Old Man and the Sea, then goes on to call Hemingway "the greatest craftsman in the American novel in this century" and asserts that the excitement of the novella comes from its parable-like quality, as it tells of the struggle of the artist as he strives to master his subject.

The only guts that are mentioned in this story are the veritable entrails of fish, but we are nevertheless reminded on every page that Hemingway once defined this favorite word, in its metaphorical use, as "grace under pressure." Grace, in the fullest sense, is the possession of this old man, just as grace was precisely what Colonel...