The Merry Wives of Windsor | Criticism

This literature criticism consists of approximately 4 pages of analysis & critique of The Merry Wives of Windsor.

The Merry Wives of Windsor | Criticism

This literature criticism consists of approximately 4 pages of analysis & critique of The Merry Wives of Windsor.
This section contains 1,061 words
(approx. 4 pages at 300 words per page)
Buy the Critical Review by Russell Jackson

SOURCE: Jackson, Russell. “Shakespeare at Stratford-upon-Avon: Summer and Winter, 2002-2003.” Shakespeare Quarterly 54, no. 2 (2003): 181-83.

In the following review of Rachel Kavanaugh's 2002 Royal Shakespeare Company production of The Merry Wives of Windsor, Green praises its postwar British setting and “versatile and energetic” cast.

In the pair of RSC touring productions seen at Stratford in the winter of 2002-2003, a versatile and energetic company was rewardingly cross-cast in plays that differed in theatrical style as well as dramatic genre. Rachel Kavanaugh set The Merry Wives of Windsor in postwar Britain, and David Farr's Coriolanus began in a Samurai world into which modern elements—typewriters, tennis rackets, coffee cups, and guns—were gradually introduced. The design team of Peter McKintosh and Ti Green was common to both plays, McKintosh being credited with set and costumes for The Merry Wives, and Green with those for Coriolanus. The “season stage” (as the program...

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This section contains 1,061 words
(approx. 4 pages at 300 words per page)
Buy the Critical Review by Russell Jackson
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Critical Review by Russell Jackson from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.