SOURCE: "Giving and Taking in The Merchant of Venice" in Love's Argument: Gender Relations in Shakespeare, The University of North Carolina Press, 1984, pp. 63-82.

In the following essay, Novy argues that the play criticizes the self-denial Antonio demonstrates throughout the play in favor of Portia's self-assertion and her acceptance of sexuality.

Many critics describe The Merchant of Venice as contrasting taking to giving. Shylock to Portia and Antonio.¹ A few have begun to note that the play also contrasts two kinds of giving, and that neither Portia nor Antonio is uncritically portrayed as an ideal of perfect generosity. Antonio's attempt at total self-sacrifice is different from Portia's willingness to give and take while setting limits.² Antonio's words in the trial scene suggest a rivalry between himself and Portia.³ I believe that the personal rivalry dramatizes a struggle between two types of giving which was a central issue in...